B
| Key of B as Triads
|
| Mode | Color | Alterations | I | II | III | IV | V | VI | VII
|
| Lydian | bright | raised 4 | B | C# | D#min | E#min | F# | G#min | A#min
|
| Ionian | neutral | no alterations | B | C#min | D#min | E | F# | G#min | A#dim
|
| Mixolydian | less bright | lowered 7 | B | C#min | D#dim | E | F#min | G#min | A
|
| Dorian | dark | lowered 3, 7 | Bmin | C#min | D | E | F#min | G#dim | A
|
| Aeolian | darker | lowered 3, 6, 7 | Bm | C#dim | D | Emin | F#min | G | A
|
| Phrygian | darkest | lowered 2, 3, 6, 7 | Bmin | C | D | Emin | F#dim | G | Amin
|
| Locrian | unusable | lowered 2, 3, 5, 6, 7 | Bdim | C | Dmin | Emin | F | G | Amin
|
| Key of B with 7ths
|
| Mode | Color | Alterations | I | II | III | IV | V | VI | VII
|
| Lydian | bright | raised 4 | BMAJ7 | C#7 | D#min7 | E#min7b5 | F#MAJ7 | G#min7 | A#min7
|
| Ionian | neutral | no alterations | BMAJ7 | C#min7 | D#min7 | EMAJ7 | F#7 | G#min7 | A#min7b5
|
| Mixolydian | less bright | lowered 7 | B7 | C#min7 | D#min7b5 | EMAJ7 | F#min7 | G#min7 | AMAJ7
|
| Dorian | dark | lowered 3, 7 | Bmin7 | C#min7 | DMAJ7 | E7 | F#min7 | G#min7b5 | AMAJ7
|
| Aeolian | darker | lowered 3, 6, 7 | Bmin7 | C#min7b5 | DMAJ7 | Emin7 | F#min7 | GMAJ7 | A7
|
| Phrygian | darkest | lowered 2, 3, 6, 7 | Bmin7 | CMAJ7 | D7 | Emin7 | F#min7b5 | GMAJ7 | Amin7
|
| Locrian | unusable | lowered 2, 3, 5, 6, 7 | Bmin7b5 | CMAJ7 | Dmin7 | Emin7 | FMAJ7 | G7 | Amin7
|
Notes
- The Ionian mode is more commonly called "the major scale" (and is the most commonly used major scale)
- The Aeolian mode is commonly called "the natural minor scale" (and is the most commonly used minor scale)
- Lydian, Ionian, & Mixolydian are considered major modes because their "I chord" is major.
- Dorian, Aeolian, & Phrygian are considered minor modes because their "I chord" is minor.
- The Locrian mode is so dissonant that it is usually unusable.
