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Line 58: Line 58: ====Possibility 1========Possibility 1====- Verse 1: What is the problem in detail?/What was the past like?+ Verse 1: What is the problem in detail? What was the past like?Optional Verse 2: Describe more of the problem in detail.Optional Verse 2: Describe more of the problem in detail.- Optional Pre-chorus: Can it be different?/Does it have to be this way?/Is there hope?+ Optional Pre-chorus: Can it be different? Does it have to be this way? Is there hope?Chorus: What would different feel like?Chorus: What would different feel like?Bridge: What struggles must be overcome?Bridge: What struggles must be overcome?Line 66: Line 66: ====Possibility 2========Possibility 2====- Verse: The way things used to be/The way I'd like things to be+ Verse: The way things used to be. The way I'd like things to be.Pre-chorus: Is there hope?Pre-chorus: Is there hope?Chorus: The way things areChorus: The way things areRevision as of 19:06, 29 January 2012
Commercial Songwriting Techniques
Songwriting Infobox
Song ModelSongwriting Lyrics - Melody - Harmony - Rhythm - Form Song Form Title - Chorus - Verse - Prechorus - Bridge Lyric Infobox Lyrics: Top Level Title - Song Plots - Rhyme - Rhyme Scheme - Lyric Triad Patterns - Lyric Writing Checklist - Scratch - RhymeZone - Titles - Category:Lyrics - Template:Rhyme - Template:Lyric Lyric Lyric - Melody - Harmony - Rhythm - Form Harmony Infobox Major Modes Ionian - Lydian - Mixolydian Minor Modes Dorian - Aeolian - Phrygian - Locrian Other Modes Major Pentatonic - Minor Pentatonic - Major Blues Scale - Minor Blues Scale Key Signatures A-flat - A - B-flat - B - C-flat - C - C-sharp - D-flat - D - E-flat - E - F - F-sharp - G-flat - G Harmonic Tools Modal Comparison Charts - Power Progressions - Cadences - Chord Finder Harmony Lyric - Melody - Harmony - Rhythm - Form Songwriting: Harmony Melody Infobox Melody Lyric - Melody - Harmony - Rhythm - Form
Andrea StolpeForm Infobox Form Lyric - Melody - Harmony - Rhythm - Form Step 1: Destination-Write and Create Columns
Include "who," "where," and "when," and make sure to use sense-bound language involving the six keys of connection as you learned in lesson 1:
- sight
- sound
- taste
- touch
- smell
- movement
Step 2: Find Rhyme Pairs
Look for rhyme pairs within and between the external and internal columns. The rhyme types from most closure to least are:
- Perfect
- Family
- Additive/Subtractive
- Assonance
- Consonance
Step 3: Choose a Rhyme Scheme and Toggling Pattern
Plan to write either a four-, five-, or six-line verse. Choose a rhyme scheme and toggling pattern from the chart below. Make sure your pre-chorus, if you have one, contrasts in number of lines and rhyme scheme.
Toggle Pattern Choices
No. of Lines Rhyme Scheme Toggle Pattern 2 XX
AAEI
II4 XAXA AAAA
ABAB AABB
AABA ABAAEIEI EEII
EEEI IEEI
IIEI6 XXAXXA XXABBA
XAAXAA ABBABB
ABCABC AABCCBEEIEEI EIEEIE
IEIIEI IEIIEIStep 4: Add Prepositions and Conjunctions
Connect the phrases of your toggled verse with prepositions and conjunctions. Try exchanging "and" for "but," "as" for "when," and pay close attention to how it affects the conversational quality of the lyric.
Step 5: Choose a Plot Progression
Choose from the two possibilities below and develop the song content. Write the pre-chorus according to your chosen strategy.
Possibility 1
Verse 1: What is the problem in detail? What was the past like? Optional Verse 2: Describe more of the problem in detail. Optional Pre-chorus: Can it be different? Does it have to be this way? Is there hope? Chorus: What would different feel like? Bridge: What struggles must be overcome?
Possibility 2
Verse: The way things used to be. The way I'd like things to be. Pre-chorus: Is there hope? Chorus: The way things are Bridge: Everything's gonna be okay
Step 6: Destination-Write Again using Thought/Feeling Language
You're looking for titles and chorus material this time. Destination-write again, only this time, talk about your thoughts and feelings. Start by reading through your original destination writing and begin where you left off, speaking from the mind of your main character. Underline the external and parenthesize the internal words and phrases of your new destination writing. Transfer your favorite phrases into the columns you already formed from your original destination writing and find additional rhyme pairs.
Step 7: Look for Titles and Write the Chorus
Look for titles within your original and new destination writing. Follow your toggling pattern and write the chorus. Remember the body-guard and power position. Add conjunctions and prepositions.
Step 8: Construct Second Verse and Pre-chorus
Follow the plot progression and use pyramiding to write your second verse and pre-chorus. Use the toggling pattern of your first verse, but involve more internal detail this time. You may choose to use the same pre-chorus or write a new one to add further meaning to your chorus. Add conjunctions and prepositions.
Step 9: Construct Bridge
Follow your plot progression and pyramiding to toggle a bridge. Choose a toggling pattern that contrasts with your chorus and verse for maximum effect. Consider how your section will add new meaning to the last chorus. Add conjunctions and prepositions.
Step 10: Assess Verbs, Tense, and Point of View
Check your verbs for specificity. Change the tense of your lyric and see how it affects the overall feeling. Make sure your point of view—whether first, direct address, or third—is consistent throughout the lyric. Read through your lyric out loud. Are there any fragmented phrases? Can you exchange conjunctions and prepositions to better connect phrases? Do "who," "where," and "when" all appear within the first few lines of the song? Rewrite where needed. __NOTOC__ __NOEDITSECTION__
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