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(Created page with ' ==F-sharp== {{Harmony Infobox}} {| style="border:1px solid #000; background:#000; vertical-align:top; color:#FFF;" !colspan="10"| Key of F# as Triads |- align="center" style="bo…')Line 1: Line 1: - ==F-sharp====F-sharp=={{Harmony Infobox}}{{Harmony Infobox}}Line 50: Line 49: #Dorian, Aeolian, & Phrygian are considered minor modes because their "I chord" is minor.#Dorian, Aeolian, & Phrygian are considered minor modes because their "I chord" is minor.#The Locrian mode is so dissonant that it is usually unusable.#The Locrian mode is so dissonant that it is usually unusable.+ + + Credit: [http://www.berkleemusic.com/school/faculty-member?person_id=91157 Shane Adams][[category:Music]][[category:Music]][[category:Harmony]][[category:Harmony]][[category:Songwriting]][[category:Songwriting]]Revision as of 00:12, 16 November 2010
F-sharp
Harmony Infobox Major Modes Ionian - Lydian - Mixolydian Minor Modes Dorian - Aeolian - Phrygian - Locrian Other Modes Major Pentatonic - Minor Pentatonic - Major Blues Scale - Minor Blues Scale Key Signatures A-flat - A - B-flat - B - C-flat - C - C-sharp - D-flat - D - E-flat - E - F - F-sharp - G-flat - G Harmonic Tools Modal Comparison Charts - Power Progressions - Cadences - Chord Finder Harmony Lyric - Melody - Harmony - Rhythm - Form Songwriting: Harmony Key of F# as Triads Mode Color Alterations I II III IV V VI VII Lydian bright raised 4 F# G# A#min B#dim C# D#min E#min Ionian neutral no alterations F# G#min A#min B C# D#min E#dim Mixolydian less bright lowered 7 F# G#min A#dim B C#min D#min E Dorian dark lowered 3, 7 F#min G#min A B C#min D#dim E Aeolian darker lowered 3, 6, 7 F#min G#dim A Bmin C#min D E Phrygian darkest lowered 2, 3, 6, 7 F#min G A Bmin C#dim D Emin Locrian unusable lowered 2, 3, 5, 6, 7 F#dim G Amin Bmin C D Emin
Key of F# with 7ths Mode Color Alterations I II III IV V VI VII Lydian bright raised 4 F#MAJ7 G#7 A#min7 B#min7b5 C#MAJ7 D#min7 E#min7 Ionian neutral no alterations F#MAJ7 G#min7 A#min7 BMAJ7 C#7 D#min7 E#min7b5 Mixolydian less bright lowered 7 F#7 G#min7 A#min7b5 BMAJ7 C#min7 D#min7 EMAJ7 Dorian dark lowered 3, 7 F#min7 G#min7 AMAJ7 B7 C#min7 D#min7b5 EMAJ7 Aeolian darker lowered 3, 6, 7 F#min7 G#min7b5 AMAJ7 Bmin7 C#min7 DMAJ7 E7 Phrygian darkest lowered 2, 3, 6, 7 F#min7 GMAJ7 A7 Bmin7 C#min7b5 DMAJ7 Emin7 Locrian unusable lowered 2, 3, 5, 6, 7 F#min7b5 GMAJ7 Amin7 Bmin7 CMAJ7 D7 Emin7 Notes
- The Ionian mode is more commonly called "the major scale" (and is the most commonly used major scale)
- The Aeolian mode is commonly called "the natural minor scale" (and is the most commonly used minor scale)
- Lydian, Ionian, & Mixolydian are considered major modes because their "I chord" is major.
- Dorian, Aeolian, & Phrygian are considered minor modes because their "I chord" is minor.
- The Locrian mode is so dissonant that it is usually unusable.
Credit: Shane Adams - Meta