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Line 6: Line 6: | Mode || Color || Alterations || I || II || III || IV || V || VI || VII| Mode || Color || Alterations || I || II || III || IV || V || VI || VII|- align="center" style="border:1px solid #000; background:#fdfe35; vertical-align:top; color:#000;"|- align="center" style="border:1px solid #000; background:#fdfe35; vertical-align:top; color:#000;"- | '''Lydian''' || '''''bright''''' || raised 4 || Cb || Db || Ebmin ||Fmin|| Gb || Abmin || Bbmin+ | '''Lydian''' || '''''bright''''' || raised 4 || Cb || Db || Ebmin || Fdim || Gb || Abmin || Bbmin|- align="center" style="border:1px solid #000; background:#fefe9f; vertical-align:top; color:#000;"|- align="center" style="border:1px solid #000; background:#fefe9f; vertical-align:top; color:#000;"| '''Ionian''' || '''''neutral''''' || no alterations || Cb || Dbmin || Ebmin || Fb || Gb || Abmin || Bbdim| '''Ionian''' || '''''neutral''''' || no alterations || Cb || Dbmin || Ebmin || Fb || Gb || Abmin || BbdimRevision as of 20:04, 6 November 2010
C-flat
Harmony Infobox Major Modes Ionian - Lydian - Mixolydian Minor Modes Dorian - Aeolian - Phrygian - Locrian Other Modes Major Pentatonic - Minor Pentatonic - Major Blues Scale - Minor Blues Scale Key Signatures A-flat - A - B-flat - B - C-flat - C - C-sharp - D-flat - D - E-flat - E - F - F-sharp - G-flat - G Harmonic Tools Modal Comparison Charts - Power Progressions - Cadences - Chord Finder Harmony Lyric - Melody - Harmony - Rhythm - Form Songwriting: Harmony Key of C-flat as Triads Mode Color Alterations I II III IV V VI VII Lydian bright raised 4 Cb Db Ebmin Fdim Gb Abmin Bbmin Ionian neutral no alterations Cb Dbmin Ebmin Fb Gb Abmin Bbdim Mixolydian less bright lowered 7 Cb Dbmin Ebdim Fb Gbmin Abmin Bbb Dorian dark lowered 3, 7 Cbmin Dbmin Ebb Fb Gbmin Abdim Bbb Aeolian darker lowered 3, 6, 7 Cbmin Dbdim Dbb Ebmin Gbmin Abb Bbb Phrygian darkest lowered 2, 3, 6, 7 Cbmin Dbb Ebb Fbmin Gbdim Abb Bbbmin Locrian unusable lowered 2, 3, 5, 6, 7 Cbdim Dbb Ebbmin Fbmin Gbb Abb Bbbmin
Key of C-flat with 7ths Mode Color Alterations I II III IV V VI VII Lydian bright raised 4 CbMAJ7 Db7 Ebmin7 Fmin7b5 GbMAJ7 Abmin7 Bbmin7 Ionian neutral no alterations CbMAJ7 Dbmin7 Ebmin7 FbMAJ7 Gb7 Abmin7 Bbmin7b5 Mixolydian less bright lowered 7 Cb7 Dbmin7 Ebmin7b5 FbMAJ7 Gbmin7 Abmin7 BbbMAJ7 Dorian dark lowered 3, 7 Cbmin7 Dbmin7 EbbMAJ7 Fb7 Gbmin7 Abmin7b5 BbbMAJ7 Aeolian darker lowered 3, 6, 7 Cbmin7 Dbmin7b5 EbbMAJ7 Fbmin7 Gbmin7 AbbMAJ7 Bbb7 Phrygian darkest lowered 2, 3, 6, 7 Cbmin7 DbbMAJ7 Ebb7 Fbmin7 Gbmin7b5 AbbMAJ7 Bbbmin7 Locrian unusable lowered 2, 3, 5, 6, 7 Cbmin7b5 DbbMAJ7 Ebbmin7 Fbmin7 GbbMAJ7 Abb7 Bbbmin7 Notes
- The Ionian mode is more commonly called "the major scale" (and is the most commonly used major scale)
- The Aeolian mode is commonly called "the natural minor scale" (and is the most commonly used minor scale)
- Lydian, Ionian, & Mixolydian are considered major modes because their "I chord" is major.
- Dorian, Aeolian, & Phrygian are considered minor modes because their "I chord" is minor.
- The Locrian mode is so dissonant that it is usually unusable.
- Meta