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Line 13: Line 13: ===Mode Comparison Chart======Mode Comparison Chart===- {| style="width:50%;border:1px solid #000; background:#000; vertical-align:top; color:#FFF;"+ {| style="border:1px solid #000; background:#000; vertical-align:top; color:#FFF;"!colspan="10"|Roman Numerals as Triads!colspan="10"|Roman Numerals as Triads|- align="center" style="border:1px solid #000; background:#fff; vertical-align:top; color:#000;"|- align="center" style="border:1px solid #000; background:#fff; vertical-align:top; color:#000;"Revision as of 15:25, 6 November 2010
Modes
Harmony Infobox Major Modes Ionian - Lydian - Mixolydian Minor Modes Dorian - Aeolian - Phrygian - Locrian Other Modes Major Pentatonic - Minor Pentatonic - Major Blues Scale - Minor Blues Scale Key Signatures A-flat - A - B-flat - B - C-flat - C - C-sharp - D-flat - D - E-flat - E - F - F-sharp - G-flat - G Harmonic Tools Modal Comparison Charts - Power Progressions - Cadences - Chord Finder Harmony Lyric - Melody - Harmony - Rhythm - Form Songwriting: Harmony The Major Modes Ionian Lydian Mixolydian The Minor Modes Dorian Aeolian Phrygian Mode Comparison Chart
Roman Numerals as Triads Alterations I II III IV V VI VII Lydian bright raised 4 I II IImin #IVdim V VImin VIImin Ionian neutral no alterations I IImin IIImin IV V VImin VIIdim Mixolydian less bright lowered 7 I IImin IIdim IV Vmin VImin bVII Dorian dark lowered 3, 7 Imin IImin bIII IV Vmin VIdim bVII Aeolian darker lowered 3, 6, 7 Imin IIdim bIII IVmin Vmin bVI bVII Phrygian darkest lowered 2, 3, 6, 7 Imin bII bIII bIVmin Vdim bVI bVIImin Locrian unusable lowered 2, 3, 5, 6, 7 Idim bII bIIImin bIVmin bV bVI bVII - Meta
