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Line 6: Line 6: | Mode || Color || Alterations || I || II || III || IV || V || VI || VII| Mode || Color || Alterations || I || II || III || IV || V || VI || VII|- align="center" style="border:1px solid #000; background:#fdfe35; vertical-align:top; color:#000;"|- align="center" style="border:1px solid #000; background:#fdfe35; vertical-align:top; color:#000;"- | '''Lydian''' || '''''bright''''' || raised 4 || Bb || C || Dmin ||Emin|| F || Gmin || Amin+ | '''Lydian''' || '''''bright''''' || raised 4 || Bb || C || Dmin || Edim || F || Gmin || Amin|- align="center" style="border:1px solid #000; background:#fefe9f; vertical-align:top; color:#000;"|- align="center" style="border:1px solid #000; background:#fefe9f; vertical-align:top; color:#000;"| '''Ionian''' || '''''neutral''''' || no alterations || Bb || Cmin || Dmin || Eb || F || Gmin || Adim| '''Ionian''' || '''''neutral''''' || no alterations || Bb || Cmin || Dmin || Eb || F || Gmin || AdimRevision as of 22:33, 6 November 2010
B-flat
Harmony Infobox Major Modes Ionian - Lydian - Mixolydian Minor Modes Dorian - Aeolian - Phrygian - Locrian Other Modes Major Pentatonic - Minor Pentatonic - Major Blues Scale - Minor Blues Scale Key Signatures A-flat - A - B-flat - B - C-flat - C - C-sharp - D-flat - D - E-flat - E - F - F-sharp - G-flat - G Harmonic Tools Modal Comparison Charts - Power Progressions - Cadences - Chord Finder Harmony Lyric - Melody - Harmony - Rhythm - Form Songwriting: Harmony Key of Bb as Triads Mode Color Alterations I II III IV V VI VII Lydian bright raised 4 Bb C Dmin Edim F Gmin Amin Ionian neutral no alterations Bb Cmin Dmin Eb F Gmin Adim Mixolydian less bright lowered 7 Bb Cmin Ddim Eb Fmin Gmin Ab Dorian dark lowered 3, 7 Bbmin Cmin Db Eb Fmin Gdim Ab Aeolian darker lowered 3, 6, 7 Bbm Cdim Db Ebmin Fmin Gb Ab Phrygian darkest lowered 2, 3, 6, 7 Bbmin Cb Db Ebmin Fdim Gb Abmin Locrian unusable lowered 2, 3, 5, 6, 7 Bbdim Cb Dbmin Ebmin Fb Gb Abmin
Key of Bb with 7ths Mode Color Alterations I II III IV V VI VII Lydian bright raised 4 BbMAJ7 C7 Dmin7 Emin7b5 FMAJ7 Gmin7 Amin7 Ionian neutral no alterations BbMAJ7 Cmin7 Dmin7 EbMAJ7 F7 Gmin7 Amin7b5 Mixolydian less bright lowered 7 Bb7 Cmin7 Dmin7b5 EbMAJ7 Fmin7 Gmin7 AbMAJ7 Dorian dark lowered 3, 7 Bbmin7 Cmin7 DbMAJ7 Eb7 Fmin7 Gmin7b5 AbMAJ7 Aeolian darker lowered 3, 6, 7 Bbmin7 Cmin7b5 DbMAJ7 Ebmin7 Fmin7 GbMAJ7 Ab7 Phrygian darkest lowered 2, 3, 6, 7 Bbmin7 CbMAJ7 Db7 Ebmin7 Fmin7b5 GbMAJ7 Abmin7 Locrian unusable lowered 2, 3, 5, 6, 7 Bbmin7b5 CbMAJ7 Dbmin7 Ebmin7 FbMAJ7 Gb7 Abmin7 Notes
- The Ionian mode is more commonly called "the major scale" (and is the most commonly used major scale)
- The Aeolian mode is commonly called "the natural minor scale" (and is the most commonly used minor scale)
- Lydian, Ionian, & Mixolydian are considered major modes because their "I chord" is major.
- Dorian, Aeolian, & Phrygian are considered minor modes because their "I chord" is minor.
- The Locrian mode is so dissonant that it is usually unusable.
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