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(Created page with ' ==G== {{Harmony Infobox}} {| style="border:1px solid #000; background:#000; vertical-align:top; color:#FFF;" !colspan="10"| Key of G as Triads |- align="center" style="border:1p…')Line 1: Line 1: - ==G====G=={{Harmony Infobox}}{{Harmony Infobox}}Line 54: Line 53: [[category:Harmony]][[category:Harmony]][[category:Songwriting]][[category:Songwriting]]+ + Credit: [http://www.berkleemusic.com/school/faculty-member?person_id=91157 Shane Adams]Revision as of 00:07, 16 November 2010
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Harmony Infobox Major Modes Ionian - Lydian - Mixolydian Minor Modes Dorian - Aeolian - Phrygian - Locrian Other Modes Major Pentatonic - Minor Pentatonic - Major Blues Scale - Minor Blues Scale Key Signatures A-flat - A - B-flat - B - C-flat - C - C-sharp - D-flat - D - E-flat - E - F - F-sharp - G-flat - G Harmonic Tools Modal Comparison Charts - Power Progressions - Cadences - Chord Finder Harmony Lyric - Melody - Harmony - Rhythm - Form Songwriting: Harmony Key of G as Triads Mode Color Alterations I II III IV V VI VII Lydian bright raised 4 G A Bmin C#dim D Emin F#min Ionian neutral no alterations G Amin Bmin C D Emin F#dim Mixolydian less bright lowered 7 G Amin Bdim C Dmin Emin F Dorian dark lowered 3, 7 Gmin Amin Bb C Dmin Edim F Aeolian darker lowered 3, 6, 7 Gmin Adim Bb Cmin Dmin Eb F Phrygian darkest lowered 2, 3, 6, 7 Gmin Ab Bb Cmin Ddim Eb Fmin Locrian unusable lowered 2, 3, 5, 6, 7 Gdim Ab Bbmin Cmin Db Eb Fmin
Key of G with 7ths Mode Color Alterations I II III IV V VI VII Lydian bright raised 4 GMAJ7 A7 Bmin7 C#min7b5 DMAJ7 Emin7 F#min7 Ionian neutral no alterations GMAJ7 Amin7 Bmin7 CMAJ7 D7 Emin7 F#min7b5 Mixolydian less bright lowered 7 G7 Amin7 Bmin7b5 CMAJ7 Dmin7 Emin7 FMAJ7 Dorian dark lowered 3, 7 Gmin7 Amin7 BbMAJ7 C7 Dmin7 Emin7b5 FMAJ7 Aeolian darker lowered 3, 6, 7 Gmin7 Amin7b5 BbMAJ7 Cmin7 Dmin7 EbMAJ7 F7 Phrygian darkest lowered 2, 3, 6, 7 Gmin7 AbMAJ7 Bb7 Cmin7 Dmin7b5 EbMAJ7 Fmin7 Locrian unusable lowered 2, 3, 5, 6, 7 Gmin7b5 AbMAJ7 Bbmin7 Cmin7 DbMAJ7 Eb7 Fmin7 Notes
- The Ionian mode is more commonly called "the major scale" (and is the most commonly used major scale)
- The Aeolian mode is commonly called "the natural minor scale" (and is the most commonly used minor scale)
- Lydian, Ionian, & Mixolydian are considered major modes because their "I chord" is major.
- Dorian, Aeolian, & Phrygian are considered minor modes because their "I chord" is minor.
- The Locrian mode is so dissonant that it is usually unusable.
Credit: Shane Adams
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